Words Written: 50,926
Chapters Written: ?????
Write-Ins Attended: 9
Date Finished: Nov 29
Days Written: 30
Hours Written: ~28
Ultimately this NaNoWriMo was a success for me. 50,926 words marks the most words I have written during a NaNo (and therefore the most words I have ever written in a month), and this is the first year I’ve ever finished early. Hurray for new landmarks and successes!
The first draft of my new novel is still unfinished and what I have is sort of a mess, but I feel pretty good about the mess. I learned a lot about the story during the month, accidentally created a few new characters and a new subplot, and figured out how to condense some of the story beats. I like some of what I’ve written (even though I have plenty of first draft clichés and placeholders), and I’m feeling better about this whole idea than I did at the beginning of the month (or even in the middle of the month).
I built myself back up to banging out a thousand words (or more) in a half hour, slapped away writer’s block, and kept myself going even when I really wanted to push the story aside. As cool as it is to have finished a day early or to have written the most I’ve ever written, it’s these in-the-trench successes that really have me smiling. The mechanical aspect of writing, the unstoppable Terminator aspect of NaNo, is part of what I love the most about participating in NaNo. Even though I write every day, I don’t write 1,000 words every day. NaNoWriMo is a challenge to push myself beyond my normal routines and write that 1,667 words a day (or 2,000 words when I fell behind). It’s a yearly reminder that I still have room to grow and that I can achieve the seemingly impossible.
I still have a lot of work ahead of me on this novel, but, thanks to NaNoWriMo, I’m feeling better about that work and I’ve got a decent start.
Even though I’m an editor for hire, I firmly believe in self-editing. Each month I’m going to drop a tip for developing your ability to edit your own work or identify things to look for as you edit. Make sure to check out all the DIY Edit Tips to improve your self-editing.
05 Creating Distance: Change of Medium
Another way to create distance to achieve that elusive objectivity when editing your own work is to change the medium.
Printing out the story and editing a hard copy is one of the most effective methods for me. Marking with a pencil or pen helps shift my brain out of writer mode and into editor mode, since I am literally using different tools to edit the work than the tools I used to write the work. It also helps me feel a little bit like I’m reading someone else’s work, since I’m used to reading the printed work of others.
If you don’t have the resources to print your work (and let’s face it, that kills a lot of trees), try changing the font type, point size, or margins. When the line breaks fall differently from the ones I’ve been staring at for weeks, I catch more typos and missing words. I also read the sentences more carefully, since I’m seeing them in a new form, which allows me to find errors and awkward phrasings.
Changing the medium is just a trick to help you view your work with new eyes, but it’s one that has helped slow me down and allowed me to more carefully review and edit my own work.
If objectivity is one of your main obstacles to being your own best editor, keep an eye out for other tips on “Creating Distance.”
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I’m on a constant mission to find tricks to improve my productivity. The number of productivity apps out there is staggering, and after a long time of searching and testing, I found three apps that helped me move from writing every now and then to writing every day, and even helped me finish and revise my first novel.
Rescue Time
Rescue Time downloads to your computer and tracks how you spend your computer time, including logging which websites you visit and how much time you spend on them (for one browser, for all others it just tells which application you were using).
It takes all of this information and aggregates a productivity score, as well as the number of hours you spent doing different categorized activities.
Below is a snapshot from this last month. I hovered over “Design & Composition” so you can see my top activities under Design & Composition were Scrivener, NaNoWriMo.org and Google Documents.
You can use Rescue Time with its default settings, or customize websites and activities for what you would call “productive” or “distracting.” You can also add or edit categories to fit your tasks. For example, while I was in the MFA Program, I added an “MFA” distinction under “Reference & Learning,” so I could get productive credit for things like working on online classes.
Use: After you get it set up, it tracks your productivity passively. You may need to tweak it as you use it, but even the default settings are pretty good for starting to get a grip on your life. Use it to find out where you’ve been spending your time so you can make better choices about how you spend your time.
Ease: I’ll be honest, it took me awhile to really get the hang of Rescue Time to tweak it to my “productive” tasks and then understand the data. The passive tracking makes it easy to collect data, and then I could analyze it at my own pace.
Benefit: Rescue Time emails a weekly summary of activity. Seeing “Design & Composition” as my top activity lets me know when I’m putting my writing first. Rescue Time also helped point out what was most distracting for me and helped me take steps to avoid and mitigate those distractions.
Paid: There is a paid option to Rescue Time that gives you more bang. It has a built-in block out timer, alerts, offline tracking, and—this is the one I like the best—it can track which document you’re working in, not just that you’re in MS Word.
Productivity Challenge Timer
Sometimes the best way to be productive is to set aside productive time. Productivity Challenge Timer is a phone app that allows you to set a timer and get to work! The timer can be for as few as 10 minutes or as many as 120 minutes (you can also add 5 minutes if you need to keep working).
Finishing work sessions earns ranks and achievements, so there’s a little gamification involved with the Challenge Timer, if that’s your thing. Be warned: if you don’t work you’ll lose ranks (I have lost so many). If losing ranks stresses you out, that’s a feature you can turn off.
In the free version you can set up 4 projects and then track the amount of time you spend doing each thing. I set mine to track Writing, Reading, Editing, and Business.
Use: Being able to decide how long I’ll work each time makes this app extremely useful. It also helped me learn that working for 10 minutes is better than not working at all. (And that several 10-minute sessions start to add up!) Use it to help you focus on the activity you’re working on at the moment. The timer means focus!
Ease: Getting started is easy, just create a project and hit the button to start. The stats took a little time to understand, but they can easily be ignored until you’re ready to tackle them.
Benefit: Productivity Challenge Timer is good for focusing when you want to work and rewarding yourself with a break. It’s easier to focus if you know a break is coming up, or if you know you only have 2 more minutes, etc.
If you like stats, this also can help you determine when your most productive hours are. The app tracks when you work along with how long you work, so you can discover, for example, that you work more often in the evening. For some of you that might be obvious, but you’ll now have the evidence to show your family and friends when they try to encroach on your writing time. 😉
Paid: There is a paid option for Productivity Challenge Timer that gives you an “unlimited” number of Projects (99), access to Continuous Work Mode, and some additional achievements.
Habit Hub
Habit Hub is a habit tracker that works off the same strategy as “Don’t Break the Chain.” Each day you perform the task is another day in your streak. You can set a target for a streak and Habit Hub will track you each day.
Not only do you determine the habits you want to track, you can also decide how often you want to perform the habit. For example, you can set Habit Hub to track you for Monday through Friday or Tuesdays and Thursdays or any other combination of days. You can also choose to perform the habit on a set number of days per week (instead of on specific days).
Best yet, Habit Hub allows you to set reminders. Mine reminds me at 1:30pm every day to write. The app also sends a reminder at the end of the day (9:00pm for me) to remind me to check in for all of my habits. Having these two automated reminders is a surefire way to get my butt in the chair for writing at least once per day.
Use: Use Habit Hub as a reminder to build habits and as motivation to continue the plan you make for yourself.
Ease: Clicking one button to log your completed habit is as easy as it gets (we’ll gloss over logging that you didn’t complete a habit). In addition to logging in that you accomplished your goal, you can decide if you need to skip it for the day. Skipping is a great feature because it allows you to say that you had extenuating circumstances that prevented you from performing the task, but it doesn’t break the chain.
Benefit: In addition to tracking the number of days you have in a streak, Habit Hub creates graphs to show your “Habit Strength” (the percentage of times you’ve completed the habit), your progress, your ratio of completed habits, and it even helps you see on which days of the week you’ve completed the task most often. Being able to see these things can help you determine patterns such as, “I never write on Sundays,” and then you can adjust your expectations to allow for a writing break every Sunday. It’s not always about working harder, it’s about working smarter.
Paid: The paid version allows you to track unlimited habits (the free version only tracks 5), and you can add rewards and have more specific tracking (such as a habit you complete x-number of times a day). You can also have additional targets, setting yourself up for streaks of 10 days, 30 days, 60 days, 100 days, so that you can build up to a full 365-day streak! (The free version gives you 3 targets, which you can edit and delete if you need to make additional targets.)
Habit Hub is the only app I’m recommending that is currently Android only. You can find similar habit trackers in the Apple App Store. Search for “habit tracker” or “don’t break the chain.”
Using These Apps In Conjunction
Here’s how I used these apps to deliver a shot of productivity to my writing life.
Rescue Time helped me identify which websites and tasks were my time suckers. Rescue Time also made me accountable to how I used my time because it was logging everything I was doing (and judging me). That knowledge encouraged me to work more and play less.
Once I added Habit Hub, I had a daily reminder to write. Even if I was too busy to respond to the 1:30pm reminder, the 9:00pm reminder usually got me to the computer. On a few occasions I had been too busy during the day, but would check my phone before bed, and there it was, a reminder that I hadn’t written. At this point your reminder has to marry your stubbornness. Do you let yourself off the hook because you’re tired? Or do you haul yourself to the computer, blink at the glowing screen, and write something?
Personally, I hauled myself to the computer, aimed for 50–100 words and then clicked to say I wrote for the day. Because putting in 50 words is something.
Productivity Challenge Timer was the last app I added. Even with Rescue Time judging me, I still had a habit of drifting off during the middle of a “writing session” to check Tumblr or Twitter, or window shop on Etsy. After all, Rescue Time would keep track of how much I was actually writing, so it didn’t matter if I broke my stride.
Nope! Productivity Challenge Timer was the perfect bum glue. Once I set the timer for 15 minutes of Writing that meant I couldn’t do any activity that wasn’t related to Writing. I found my focus was strongest for 15- or 20-minute work sessions, but I usually needed at least a short break at 20 minutes. The gamification of Productivity Challenge Timer also helped encourage me to plan more writing sessions, and thus write more words.
Obviously you may have different results, and you may find a different combination of productivity tools more useful. The important thing is to find something that works for you. Don’t be afraid of trying a new app and experimenting to find out what works best for you.
Have you ever searched for that one piece of writing advice that will magically make writing easier and your stories better? Have you ever thought that you found it, only to discover that it doesn’t work for your best friend? Or has your friend given you a piece of “magic” writing advice that doesn’t work for you? That is the road of writing advice. Writing advice isn’t one-size-fits-all because the creative process is varied and subjective. Heck, writing advice isn’t even one-size-fits-a-single-career. The writer you are today may not be the writer you were yesterday or the writer you’ll be tomorrow, and the process that worked for you then may not work for you now.
Just six years ago I was living a lifestyle that would not support writing every day. I had more responsibilities and a demanding job with a schedule that had less flexibility. Now I’m self-employed, which means I have more control of my schedule, and it’s easier for me to plan time to write every day, even on busy days.
Just six years ago I wrote in binge spurts, up to 4,000 words in a day. But I only wrote 158 days out of 365. This year I’ve only had a handful of days where I passed 1,000 words.
Just six years ago I wrote short stories, rather than novels. Those binge sessions of writing frequently corresponded to writing a first draft of a short story. A first draft of a chapter usually isn’t longer than 2,000 words for me, which means binge sessions are shorter.
It’s clear the writer I was six years ago is not the same writer I am now, which means the writing advice and processes I followed then may not be effective for me any more. Redefining myself as a writer from 2011 to 2017 has taken some work. Some of it is organic, like discovering that I could write daily with a little motivation and consistency. Some of it is decisive, like focusing on novels rather than short stories. And the rest of it has required experimenting because I’ve had to hunt for new processes and advice that works for this new writer that I’ve become.
Which is where all that disparate, subjective, one-size-will-never-fit-all writing advice comes in. Writing advice isn’t and shouldn’t be thought of as a one-size-fits-all magic solution. Writing advice is an opportunity to try something new and see if it works for you (or if it works for you now). Trial and error is the queen among writers—that’s actually what the drafting and revision process is about. So consuming as much writing advice as you can, trying what sounds interesting, and throwing away what doesn’t work is the way writing advice works best. The only writing advice that is truly one-size-fits-all is to try everything, and then in five years, try it again. Writing is about reinvention and no one is reinvented as often as a writer.
Sometimes one of the hardest things to do is to keep writing through your first draft. Ideas can feel flat and uninspired. Characters might not meet the expectations you set out for them. Obstacles wind up being easier to overcome than you imagined, or, the opposite, you find yourself written into a corner. It is frustrating and infuriating and quitting starts looking better and better because, let’s face it, your first draft sucks.
But the good news is that all first drafts suck. No matter how much planning you do in advance, there’s a big difference between an idea and a story. A story requires details and specifics and everything has to work together. Sentences have to be crafted, motivations have to be honed, choices have to be made, and consequences have to be realized. Moving from an idea to a final product takes a lot of work, and the first draft is the first step. And the first draft is always a messy step.
First drafts don’t just suck because they are the messy beginnings of a novel. They suck because they’re difficult to write and they’re difficult to stick with. But the reason you must keep writing through a terrible first draft is simple: blank pages can’t be revised. In order to make the book better, something needs to be on the page. Revising is like sculpting, and the first draft is how you make the clay.
Sculptures can’t be made without material to sculpt, and the same works for stories. The first draft has to be written so the writer has something to revise and craft into the finished work. It may be tempting to stop in the middle and start revising, but not finishing your first draft is a disservice to your story and sometimes a waste of your time. Even the most organized planners can discover things about their characters, plot, and world through writing the first draft. Ideas develop organically—it becomes clear that the character should turn left instead of right, a sub-plot more fully develops, one idea spawns another and a new area of the world is fleshed out. You might discover that a scene you wrote well and loved doesn’t belong in your novel any more—and if you spent your time honing it instead of writing to the end of your first draft, you would have wasted that time.
So push through your first draft. Even when it sucks, try your best to love the experience and motivate yourself to continue. Reward yourself for writing. Tell your friends what you’ve completed. Write the scenes that excite you. Write out of order. Leave gaping holes that just have notes like “battle scene” or “much smooching” or “Kate and Joe need to talk.” Leave notes to yourself about ideas you get as you’re drafting or revisions you want to make, but keep writing forward. You’ll have a mess by the end. You’ll have a draft that sucks, but you’ll have a draft that you can craft, make better, and sculpt into the story you were always meant to write. As much as writing is about revising, revising can’t happen if you don’t have a first draft.
Even though I’m an editor for hire, I firmly believe in self-editing. Each month I’m going to drop a tip for developing your ability to edit your own work or identify things to look for as you edit. Make sure to check out all the DIY Edit Tips to improve your self-editing.
04 Narration: Self-Referential Language
One of my writing professors always marked our stories for what she called “self-referential language.” This syntax plagues first person and close third person point of view by calling attention to the fact that the reader is an observer of a character.
Phrases like “I watched…” or “She looked…” or “He heard…” shift the focus from the POV character’s observations (the purpose of first and close third narration) to the observation of the character.
Consider the difference in these sentences:
From the window I watched the valets pack the carriage.
Outside the window, the valets packed the carriage.
In the first sentence, the reader is focused on the character watching the valets through the window. If this image were in a movie, the screen would include the window frame and the character in front of the window, looking out on the valets.
In the second sentence, it’s still clear that the POV character is inside the house, but this version of the sentence focuses the reader on watching the valets through the eyes of the POV character. As a movie, what the character is watching fills the screen, and the reader is fully immersed in the point of view of the first person narrator.
Editing out self-referential language can make the point of view more immersive and bring the reader closer to the characters and action. It can also help eliminate weak and overused verbs. Here are some combinations to look out for when trying to strengthen your point of view narration:
I/he/she watched
I/he/she saw
I/he/she looked
I/he/she heard
I/he/she listened
I/he/she touched
I/he/she smelled
I/he/she tasted
Watch out for other verbs and sentence constructions that put the emphasis on the character observing rather than on what the character is observing.
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I have one last day of sanity before the writing madness that is NaNoWriMo takes over my life. That might sound dramatic, but I know the precipice on which I stand, ready to dive into my novel. I know the increased hours I’ll spend pounding away at my first draft or worrying that I made the wrong decision about how to write a scene or say a line. I know the temptation I’ll face to start revising now, to scrap the last chapter, or to throw it all away because it’s just not right. I know the times I’ll go to my friends, desperately needing a pep talk, and feeling like I’m taking up their time because they’re working on their novels too.
It’s scary to be a day out from starting a new novel, but it’s also exciting. I know the characters and the world, the details that make them real and the weak places to prod. I know the plot—I have it in an outline that I can follow if I get stuck, or discard if I get a better idea. I know if I write like crap, if I can’t get it right, if I lose my way, that I can fix it all in revision. I know that this is the start of a book, and that six months or a year from now I’ll have something finished and polished and ready to send out into the world. I know that NaNoWriMo is just the beginning, and that by the end of the month I’m going to have more work to do, but it’s all work I love.
I know that despite the frustration and the anxiety and the inevitable doubt, this month devoted to my novel will be worth it.
I wish all writers the best as they start their NaNoWriMo projects. If you need a few words of encouragement or support during the month, feel free to tweet me.
Writing is often a solitary pursuit. After all, usually you’re the only one working on your book! Even though writing is a solo venture, that doesn’t mean it has to be a lonely venture.
Last year was the tenth year I signed up for National Novel Writing Month, but the first time I really embraced the community aspects of the challenge. As an assistant to the Municipal Liaison (our region leader), I ran the majority of the social media, offering encouragement and congratulations to participants using our #NaNOrlando hashtag. I also attended more write-ins than I ever had before. By the end of the month—after going to my usual weekly write-ins, write-ins at Writer’s Atelier, leading a write-in at Universal, and joining the NaNo Orlando group for the annual Write Around the (Disney) World event—I finally felt like I was part of a local writing community.
Since quitting my job in 2014 I have struggled with loneliness. I hadn’t realized how much I depended on the social nature of working in an office. Because I needed social interaction, but also needed to write, NaNoWriMo write-ins were the perfect place for me to fulfill both needs. Just like being at work, during a write-in writers work on their own projects and then take short breaks to socialize. At an event like Write Around the (Disney) World, most of those breaks came in the form of transportation between writing locations. Last year we started in Disney Springs and then took the boat to Port Orleans Riverside. We chatted on the boat and as we walked to our destination, and then everyone sat down and got to work. Similarly we chatted on the bus and monorail when traveling to our next two stops of the day. Between each round of traveling and chatting, we got to work, writing for about an hour at each stop. I got so much writing done, and I ended the day by knowing more writers in the Orlando area.
Since then, I’ve made attending local writing events a priority, and have felt more confident branching out and going to events outside of my comfort zone. It’s gotten easier the more I’ve thought about writers as colleagues. Colleagues understand the troubles you’re going through in your work life, can offer advice, and can learn from your experiences. Having a local writing community reminded me that while I might be in a career geared to solitary work, I’m not working in solitude.
NaNoWriMo is a month full of writing challenges and writing lessons. I’m a better writer for having participated in NaNo because it allowed me to learn things about my writing life and process I may not have discovered without the pressure. NaNo has also helped introduce me to the rich and wonderful community of local writers, and it has helped me get more involved. This is my first year working as a Municipal Liaison with NaNoWriMo, and I’m excited to get out there to help motivate writers to write. If you’re a writer, consider signing up for the challenge, even if you don’t finish the 50,000 words, you still might learn something about yourself.
My first attempt at National Novel Writing Month began with my hard drive crashing two days into the challenge. Sometimes NaNoWriMo is like that—full of obstacles and challenges and complications. I wasn’t very motivated to write while my computer was sent off for repairs, so when I got it back on November 18th, I had a decision to make: was I done with NaNo or did I try to write 43,000 words in twelve days?
Everyone who signs up for NaNo surely has a moment in which they think they’re crazy. It’s a huge goal to accomplish on a tight deadline, and it takes some serious determination to finish, even in the best circumstances. In 2005 I was not looking at the best circumstances. But I didn’t want to throw in the towel.
I started by changing my expectations. I knew I couldn’t blow through a novel that quickly, so even though it would be a rebellious act in my first NaNo, I decided to work on short stories and not worry about connectivity or using the same characters or even following the same ideas. I was going to write 50,000 words of something and not worry too much about what I was writing, so long as I was writing.
That still left me writing 43,000 words in just twelve days. I wasn’t the steady writer then that I am now, but I was very good at sprinting. The first two days of my attempt to catch up had me writing about 8,000 words. It took me four more days to write another 10,000 words because—as it turns out—sprinting can leave you creatively exhausted. I learned to be motivated by count downs (“just 400 more words to go!”). I honed in on ideas that were easier to write and I clung to inspiration. Ultimately I did it. I wrote 43,000 words in twelve days. I’m proud of that accomplishment—amazed by it, honestly—and it’s something I never want to do again.
Even though I could binge write my way to 50K, I discovered it wasn’t the healthiest thing for me to do. The act of churning out so much in a single day left me drained, and it was much harder to preform the next day. In the last year and a half of writing every day I’ve discovered exactly how much I value consistency over high word counts. Knowing that I will write every day without it being a struggle is more important to me than writing 6,000 words in a day.
NaNo is still a sprint—I don’t normally write 50,000 words in a month—but pacing myself for the 1,667 words a day is a lot easier than stumbling to catch up at the end. Even if I get behind (which I have many times in past years), keeping the gap small is a good way to keep the NaNo goal in sight. After my first year, catching up 10,000 words could look like a breeze, but I know better. Sprinting is possible, but pacing myself is healthier.
NaNoWriMo is on my mind this month as I’m preparing for this year’s challenge. Stick with me to check out a series of posts on the writing lessons you can learn by participating in NaNo. If you’re a writer, you should really consider signing up.
National Novel Writing Month is just around the corner! For those who don’t know, NaNoWriMo is a yearly challenge in November to write 50,000 words of a novel. It’s an event that brings together thousands of writers from around the world to practice their craft and talk about writing for a month.
I first participated in NaNo in 2005, and then took a break for several years because I was too busy to write. You know what month is incredibly busy every year? November. You know what excuse is a terrible one for not participating in NaNoWriMo? Being busy! Here’s the deal, writers: you will always be busy. Life will always get in the way of your writing. There will always be a responsibility you think you should be doing instead of writing. You may even feel guilt because you are writing instead of doing something else!
Stop it.
One of the great gifts NaNoWriMo has given me is the perspective that I can make writing a priority. That was a lesson I re-learned every year for the first few years in which I participated. I wasn’t prioritizing my writing life at any other time of the year, but during NaNo, I set aside 30–60 minutes every day to write. (Okay, maybe not every day because there was a year when I wrote 8,000 words one day because I had written 0 words for a whole week.) The only thing standing in my way was myself.
I had responsibilities chomping away at every hour of my day, but with a little extra planning I found the time to write for NaNoWriMo. One of my most productive times to write was on my lunch break. Instead of going out to eat every day, as was my usual routine, I brought lunch at least two days a week and got 30–45 minutes of writing time. I also made use of my weekly writing group (1–2 hours per week). And, sacrifice of sacrifices, I woke up 15 minutes earlier during the month of November. Some days I used that time to make lunch, but other days I got started with writing for the day. Starting my day by writing 15 minutes made me feel ahead all day. Since I was looking for a minimum of 30 minutes per day, I was halfway there!
At the end of the month I was less surprised that I had achieved the 50,000-word goal, and more surprised by how easy it was. I had never before consciously thought about prioritizing writing. I had prioritized projects in order to meet a deadline, but I had never tried to make time to write daily (or semi-daily) for a month. I had thought it would be an impossible task, or that I’d be either exhausted or behind by the end. But when it came down to it, finding the time was much easier than I thought it would be. It took a few years before those lessons really stuck and I stopped being so surprised, but now I never question when I’ll find the time to write, I just find it.
NaNoWriMo is on my mind this month as I’m preparing for this year’s challenge. Stick with me to check out a series of posts on the writing lessons you can learn by participating in NaNo. If you’re a writer, you should really consider signing up.
Even though I’m an editor for hire, I firmly believe in self-editing. Each month I’m going to drop a tip for developing your ability to edit your own work or identify things to look for as you edit. Make sure to check out all the DIY Edit Tips to improve your self-editing.
03 Blank Slate: Setting
When an editor or a reader engages your manuscript, they are a blank slate regarding the details of your world. Even the best synopsis will still leave the reader without the full depth and scope of your character and setting. Putting yourself in the role of the blank slate is a great way to make sure the world you write is as vivid and detailed as the world you imagine.
Picture each setting using only what is described on the page. All other areas should be black in your mind. For example, when a character enters a room, pay attention to how much of the room is described. Do you have a sense of the space the character will be navigating? What about the obstacles the character will have to move around or interact with? Do you know what the room is used for? What does the room tell you about the owner (rich/poor, extravagant/practical, neat/messy)?
As you continue reading, think about what questions arise, and then make a list of what details you need to add. For example:
- Your character winds around the whole room, but on initial introduction you never mentioned the furniture was crowded. Add that.
- Your character shuts the drapes, casting the room into darkness. Add that the only light is from the window.
- Your character notes several scenes later that a couch is just like the one in the last room they were in. Add the couch in the previous room.
- Your character turns down the radio, but has been having a conversation throughout the scene. Add how loud the radio is at the start of the scene.
After you have built the mental picture of the space from what’s on the page, consider if there are any important details you see in your writer vision that are missing from the written version. Don’t forget to engage senses other than sight—what is the temperature of the room, what sounds are there, is there a smell drifting in? Building your written locations as though you’ve never seen them in your mind’s eye is a great way to figure out what other details you need to include.
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One of my favorite things every week is going to writing group. Even though I write every day, there’s something special about meeting with other writers to write. But attending a writing group—especially a weekly one—can be a big time commitment in our busy lives. Finding the right group, a group that will be productive and help me achieve my goals, has taken some time. I first had to figure out what I wanted from a writing group, and then I needed to find a writing group that provided those things.
In my experience, writing groups tend to focus on one or more of the following:
- offering time to write
- networking or socializing
- critiquing or feedback
When I first started attending writing groups, I was working a full time job (with frequent overtime) and had a calendar full of family and social obligations. I needed a writing group that would emphasize productivity over all else since often the time I spent at writing group was the only time I had to write all week.
The group I found was full of passionate, wonderful writers who participated in NaNoWriMo every year and who were seeking agents or publishers. Their attitude matched mine—aspiring to publish novels—and their experience writing query letters, self-publishing, and working local conventions formed a foundation of what it meant to be a working writer.
Over the years the group membership changed, people moved away or new writers joined the group, and the dynamic slowly shifted. If I arrived early, I could get a solid hour of work in before the meeting turned into social hour. The problem wasn’t socializing—I liked these writers!—but this was the majority of my writing time for the week, so having that time taken over by socializing was frustrating.
It took me awhile to admit it, but my writing group was no longer providing what I needed. And that’s an important thing to remember—if the group dynamic changes, it’s okay to leave.
I’m currently active with two writing groups. One group meets weekly and the other group meets monthly. Both groups are focused on productive writing tasks (which can include things like promotion, presentations, or managing author websites) and are patronized (primarily) by writers who have a goal to publish. The weekly group has the laid back style of the first writing group I joined, in which writers are encouraged to be self-directed. We poke writers who seem to be staring off into space or who appear to be off-task (we are all guilty of checking Twitter or Facebook), but we mostly chat as we get settled or when we’re packing up.
The monthly group uses twenty-minute sprints to get writers to focus, and then allows chat breaks in between sprints. I wouldn’t be happy writing like that on a weekly basis, but for a monthly group, I know to come prepared because I will be getting a lot of work done. (That monthly writing group is usually my highest word count day of the month.)
I have yet to be in a critique group outside of the MFA program, but based on my experience there, I know a critique group would have to be very special. Critique groups require a lot of dedication from all participants. The group itself needs to be big enough that if someone is sick one week, you haven’t lost the whole conversation, but small enough that you’re not piling on a ton of extra work. Also it helps if everyone is familiar with the genres being submitted for critique. While writing is writing and stories are stories, being familiar with the rules and tropes of a genre can greatly improve the confidence of the readers and the quality of the critiques.
Knowing what you want out of a writing group is the best way to find the right group. I’ve been very lucky to find such amazing writing groups, most of which I found by participating in NaNoWriMo. If you’re struggling to carve out time to write or lack motivation once you sit down, consider finding a writing group. And if you can’t find the right writing group for yourself, maybe you should just start your own.